Page Tools
CTTC with Dance Specialization
The CTTC with Dance Specialization is a unique, collaborative program between BASI and Karen Clippinger, Professor at California State University, Long Beach. The course comprises the entire CTTC, plus 22 additional dance-specific hours.
Tuition includes all workbooks and a PMA student membership. Additional class days are August 10 and 11, 2013.
Date(s)
Jul 06, 2013 - Aug 11, 2013
Location
Long Beach, CA, United States
Host Studio
Course Cost
$3,795.00
Registration
Register for all modules listed below pertaining to this course.
enroll in full course| Name | Date | Time | Instructor | Overview | Register | |
|---|---|---|---|---|---|---|
| Module 1 | Jul 06, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 1 The Fundamentals Primary concepts covered include the 10 movement principles of the Pilates method, an overview of the pelvic region and Pilates breathing. A historical overview of Pilates is presented, plus the BASI® approach, and the importance of safety when teaching Pilates are discussed. An introduction to special considerations when working with dancers is provided. Repertoire taught and practiced includes fundamental Reformer exercises and dance-specific abdominal exercises. A one-hour mat class for dancers is taught. |
||||||
| Module 2 | Jul 07, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 2 Anatomy Overview – Part 1 An anatomy overview is presented that includes: anatomical terminology for movement, types of joints, and the center of gravity. The importance and practice of cueing is discussed. Repertoire taught and practiced includes fundamental Reformer, fundamental Mat, Pole, Ped-a-pul, and dance-specific back extensor exercises. |
||||||
| Module 3 | Jul 08, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 3 Anatomy Overview (continued) Repertoire taught and practiced includes intermediate Mat and dance-specific hip extensor exercises. Day 1 and Day 2 repertoire is reviewed with special attention to technique corrections. |
||||||
| Module 4 | Jul 09, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 4 Anatomy Overview – Part 2 An anatomy overview is continued that includes: bones, bony landmarks, muscles, muscle actions, and types of muscle contraction. The BASI format of teaching is discussed and the Block System, created by Rael Isacowitz, is introduced. Repertoire taught and practiced includes intermediate Mat and Reformer, Leg Weights, and dance-specific hip flexor exercises. A one–hour mat class for dancers is taught. |
||||||
| Module 5 | Jul 10, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 5 Review Repertoire taught on Days 1-4 is reviewed and practiced with special attention to technique and cueing. |
||||||
| Module 6 | Jul 11, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 6 Posture Assessment Primary concepts covered are the principles of alignment and posture assessment. Use of the roll down as a tool for assessment is discussed. Repertoire taught and practiced includes intermediate Mat, intermediate Reformer, fundamental Cadillac, and dance-specific hip abductor and hip adductor exercises. The Anatomy Quiz is taken. |
||||||
| Module 7 | Jul 12, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 7 Core Strength – Back and Abdominals Primary concepts covered are core strength and the relationship of the various muscle groups that make up the core with particular focus on the abdominals and the back extensors. Contraindications, effective exercises, and the importance of understanding your client’s needs and body type are discussed. Also addressed are guidelines for successful teaching, including the importance of flow in a session. Repertoire taught and practiced includes intermediate Reformer and dance-specific hip rotator exercises. A one–hour mat class for dancers is taught. |
||||||
| Module 8 | Jul 13, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 8 Exercise Adaptation A key concept covered is exercise adaptation through the use of assists and modifications. Discussion is focused on how to construct a complete and comprehensive program. Repertoire taught and practiced includes intermediate through advanced Mat, intermediate Reformer, fundamental Wunda Chair, and Magic Circle. Dance-specific exercises are reviewed. |
||||||
| Module 9 | Jul 14, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 9 Review and Testing Repertoire taught and practiced includes advanced Mat exercises. The Dance Apparatus Midterm Practical is taken. BASI apparatus exercises are reviewed with special attention to technique and cueing. |
||||||
| Module 10 | Jul 15, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 10 Review and Testing Mat exercises are reviewed. The BASI Practical Midterm is taken. |
||||||
| Module 11 | Aug 01, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 11 Muscle Balance and Imbalance Primary concepts covered include the meaning of balance, and the potential implications of imbalances in strength and flexibility. Also addressed are functional exercises, movement patterns, neuromuscular re-education, and muscle testing. Repertoire taught and practiced includes intermediate and advanced Reformer, Wunda Chair, and Cadillac; as well as dance-specific exercises for the knee flexors and extensors. The BASI written Midterm is taken. |
||||||
| Module 12 | Aug 02, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 12 Day 12: The Lower Limbs Primary concepts covered include structure, function, and common injuries of the hip joint, knee joint and ankle-foot complex. The gait cycle is discussed and analyzed. Repertoire taught and practiced includes advanced Reformer, Wunda Chair, and Cadillac; as well as key dance-specific ankle-foot exercises. Dance mat exercises are reviewed with special attention to technique. |
||||||
| Module 13 | Aug 03, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 13 Day 13: The Shoulder Primary concepts covered include the structure of the shoulder joint, muscles of the shoulder region, and the importance of correct shoulder mechanics. Also discussed are principles of shoulder rehabilitation and the importance of working within your scope of practice. Repertoire taught and practiced includes intermediate Reformer, Cadillac, and Wunda Chair; as well as introduction of the Ladder Barrel and Step Barrel. Dance-specific exercises for the shoulder flexors and extensors are taught, and a review of dance mat exercises is continued. |
||||||
| Module 14 | Aug 04, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 14 Day 14: The Shoulder (continued) Repertoire taught and practiced includes advanced Mat, Reformer, Wunda Chair, and Cadillac; as well as dance-specific shoulder abductor and adductor exercises. A practice-teaching session for the dance mat exercises is provided. |
||||||
| Module 15 | Aug 05, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 15 Day 15: Review Repertoire taught on Days 11-14 is reviewed and practiced with special attention to technique and cueing. |
||||||
| Module 16 | Aug 06, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 16 Day 16: Program Design Principles Primary concepts covered are the principles of training, such as overload, specificity, and reversibility. Components of physical fitness are also addressed. Other topics discussed are dividing the repertoire into levels and working with a broad range of clientele. Repertoire taught and practiced includes intermediate and advanced–level work on both the Ladder Barrel and Step Barrel; as well as dance-specific exercises for the rotator cuff and scapular muscles. |
||||||
| Module 17 | Aug 07, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 17 Day 17: Special Populations Part 1 and Review Primary concepts covered are habitual movement patterns, cross training, imbalances, and setting goals. Selected athletic populations are addressed. Discussion is focused on teaching methodologies. Mat, Apparatus and dance-specific repertoire are reviewed and practiced with special attention to technique and cueing. |
||||||
| Module 18 | Aug 08, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 18 Day 18: Special Populations Part 2 and Review Primary concepts covered are populations with restrictions, with an emphasis on pregnancy. Discussion is focused on using different teaching approaches in relation to gender, body type, and objectives. A general review of the repertoire is continued. The Dance Apparatus Practical Final Exam is taken. |
||||||
| Module 19 | Aug 09, 2013 | 9:00 am - 6:00 pm | View Overview | |||
|
Day 19 Review and Testing A general review of the repertoire is continued. The BASI Practical Final Exam is taken. A practice session for apparatus teaching is provided.
Day 20: Practice Teaching and Study A practice session for private apparatus teaching is provided that includes getting teaching feedback.
Day 21: Testing The teaching Certificate Evaluation and BASI written Final Exam are taken. |
||||||
|
Academic Study Personal Study
|
Practical Work
|
Observation Apprentice Teaching |
|
Familiarity with the teachings of Joseph Pilates It is highly recommended that each student be familiar with the theoretical basis of Pilates and have some experience in both Mat Work and on the apparatus, before embarking on this course of study. Experience in a related form of physical activity Prior experience in an athletic activity develops body awareness and other attributes that are extremely beneficial to the study of Pilates. |
Study in basic anatomy and physiology Prior completion of a course that includes anatomy such as Anatomy for the Dancer, Dance Kinesiology, Anatomy of Movement, or Human Anatomy is recommended. It is recommended that this be a college-level course. Specialization in a related area of study, such as a physical therapy or massage therapy, is normally acceptable and will be judged on its merits. |
Teaching experience is recommended Teaching is both a natural talent and a learned skill. Any past teaching experience, even in an unrelated field, will contribute to your becoming a skilled teacher of the Pilates method. Dance experience Prior dance training is highly recommended, but not required in all cases. |
|
Payment
|
Full Payment: $3,795 A $500 deposit is required to hold your place in this program. The remaining $3295 is due as a single payment by 15 days prior to the start date of the course.
|
|
What you get At the beginning of the course, CTTC students receive the current BASI Study Guide and five movement analysis workbooks, covering Mat, Reformer, Auxiliary, Cadillac and Wunda Chair and a Pilates Dance Specialization manual. Pricing and Cancellation Payments can be made by check, cash, money order, wires or credit card. Please make checks and money orders out to BASI Pilates. Deposits and course fees received by BASI Pilates will not be refunded after the completion of Module 2 of the course. Specifically, fees will not be refunded in the following circumstances:
|
Fees
|
What you must bring Proof of payment, comfortable and studio-appropriate attire, a note pad and pen and, above all, a positive attitude. Please note that water is the only beverage allowed in the dance center studios or rooms. The host studio typically provides water, though students may also bring their own. Certificate Your BASI Pilates certificate will be issued and forwarded to the address that we have on file when all BASI requirements have been met. These include satisfactory attendance of all modules, passing scores on all required exams, submission and acceptance of your research paper and completion of all observation, practical and teacher training hours. If you change address after the course but before you receive your certificate, please be sure to update your address with BASI. Recording of classes Audio and video recording is not allowed. Pre-existing physical conditions Please advise the BASI instructor or Host at the location where you are studying if you have any pre existing conditions that inhibit normal movement abilities, or if you are, or become pregnant during the course. |